Christopher Meerdo Experiences the Icelandic Landscape Through the Body of a Decomposing Sperm Whale / Art21

Christopher Meerdo. “Keflavik, Iceland,” 2012. Archival inkjet print. Courtesy the artist.

Christopher Meerdo’s deep interest in Icelandic culture and geography led him to apply for the three-month SIM International Artist Residency in Reykjavik, Iceland, where he was based from February to April 2012. Now back in Chicago, Meerdo says the residency has changed his practice, jolting him out of the fast pace of his MFA program, and back into the natural landscape and rhythms of artmaking. “Iceland had such a natural draw for my practice, both ideologically and aesthetically speaking,” says Meerdo. “During my stay, I visited places, from the columnar basalt formations of the black sand beaches at Reynisfjara to Verne Global’s state-of-the-art carbon neutral data center housed in the post-military outpost at Keflavik.”

Before Meerdo left for Iceland, he was working on a project based on Wikileaks data—a perfect tie-in to Iceland, where individuals involved with Wikileaks were working to make the country an international, legal safe haven for corporate and governmental whistle-blowers. Meerdo was already researching the topic and making work about it before setting up his studio in Iceland.

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