In Review | Amie Dicke: Redundancies, Voids and Metaphors of the ‘Real’ / CRAVE

In our postmodern world, one’s identity is fragmented. Quests for the “real” or “authenticity” come off as laughable if posed within the context of art making. Amie Dicke’s solo show Quote Unquote at Anat Ebgi Gallery has a certain air of embracing mediated constructions of the self. In order to search for realness, however, it’s […]