by Alicia | Dec 2, 2009 | News, Online, Performance Anxiety, Press
Wanna talk about new modes of global curation? Chicago-based arts writer Alicia Eler and video collector Jefferson Godard have teamed up to curatePerformance Anxiety, a program of seven short videos by Chicago and New York City-based artists which can only be seen in...
by Alicia | May 28, 2009 | Artist Essays, News, Response: Art & the Art of Criticism, Writing
Response: Art and the Art of Criticism with Carrie Schneider University of Illinois at Chicago’s I-Space Gallery April 24-May 30, 2009 Alicia recently participated in “Response: Art & the Art of Criticism” at I-Space Gallery (April 24-May 31, 2009), a show that...
by Alicia | Apr 30, 2009 | Curatorial, Video as Video: Rewind to Form
Curated by Alicia Eler and Peregrine Honig “Video as Video: Rewind to Form” explores the medium of video through the use of painting, drawing, photography, sculpture and Internet-based coding languages. The show features work by nine international artists:...
by Alicia | Mar 10, 2009 | Curatorial, News, Online, Press, Video as Video: Rewind to Form
This Thursday March 12th at 4:30pm in Classroom 1, critic/curator Alicia Eler (OC ’06) and artist Peregrine Honig will lecture on their recent curatorial project “Video as Video: Rewind to Form,” which opened at Swimming Pool Project Space in Chicago in September...
by Alicia | Sep 21, 2008 | Curatorial, Video as Video: Rewind to Form
Swimming Pool Project Space Swimming Pool Project Space was a standby of the Chicago art community from 2008-2011. An artist-run gallery space opened by well-known local artist Liz Nielsen, the Swimming Pool – or “The Pool” as it was affectionately called – hosted...
by Alicia | Sep 20, 2008 | News, Online, Press, Print, Video as Video: Rewind to Form
RECOMMENDED If you haven’t been to Albany Park’s new art gallery, Swimming Pool, the current show, “Video as Video: Rewind to Form,” is the perfect excuse for a Saturday outing (Saturday being the only day this independent space is open to the public). The curators...
